圖書描述
這一專輯，譯介本叢刊的創辦者和主要編者杜國清一生的業績。在推展颱灣文學上的重要角色之外，杜國清是一位著名的詩人和研究對象，也是颱灣六○年代開始推動現代詩運動的重要詩人之一。然而，關於他的作品，英語讀者知道的很少，可惜這是由於曆史和審美趣味的原因。因此這一專輯，我們的用意在於提供杜國清作品的代錶作以及一些研究論文的英文翻譯。如此，我們希望華文以外的讀者能夠有機會欣賞他的創作成就，以及瞭解他對華文現代詩發展的貢獻。
This very special issue of Taiwan Literature: English Translation Series is dedicated to the life work of the journal's founder and main editor, Tu Kuo-ch'ing. Apart from his important role in the promotion of Taiwan literature, Professor Tu is a celebrated and much-studied poet who has been one of the most significant poets in the Modernist poetry movement in Taiwan since the 1960s. However, very little of his work is available to English language readers. This is unfortunate for both historic and aesthetic reasons. Therefore, it is our intention with this special issue to provide a representative selection of Tu's poetic oeuvre, as well as a number of studies of his verse in English translation. Our hope is that in this way readers outside of the Chinese-speaking world will be afforded the opportunity both to enjoy Tu's outstanding accomplishment as a poet and to gain an understanding of his contribution to the development of Modernist verse in the Chinese language.
This very special issue of Taiwan Literature: English Translation Series is dedicated to the life work of the journal's founder and main editor, Tu Kuo-ch'ing. Apart from his important role in the promotion of Taiwan literature, Professor Tu is a celebrated and much-studied poet who has been one of the most significant poets in the Modernist poetry movement in Taiwan since the 1960s. However, very little of his work is available to English language readers. This is unfortunate for both historic and aesthetic reasons. Therefore, it is our intention with this special issue to provide a representative selection of Tu's poetic oeuvre, as well as a number of studies of his verse in English translation. Our hope is that in this way readers outside of the Chinese-speaking world will be afforded the opportunity both to enjoy Tu's outstanding accomplishment as a poet and to gain an understanding of his contribution to the development of Modernist verse in the Chinese language.
好的，以下是一份關於“颱灣文學英譯叢刊”中其他期數的圖書簡介，該簡介力求詳盡，旨在介紹該叢刊係列中除杜國清專輯（No. 44）以外的其他重要內容。 --- 颱灣文學英譯叢刊係列精選（不含杜國清專輯） 係列總覽： “颱灣文學英譯叢刊”旨在架起一座溝通颱灣文學與國際讀者的橋梁，將颱灣當代和近現代的優秀文學作品，尤其是那些深刻反映颱灣社會變遷、曆史記憶與獨特文化精神的文本，精準地翻譯成英文。該叢刊係列長期緻力於展現颱灣文學的多元性、復雜性與藝術成就，涵蓋瞭從早期殖民地經驗到戰後現代思潮，再到當代全球化背景下的各種創作麵嚮。每一輯都聚焦於特定的作傢群、主題或文學流派，通過精選的篇目，嚮全球讀者呈現一個立體而鮮活的颱灣文學圖景。 核心內容導覽（精選分冊介紹）： 第一輯：啓濛與探索——早期現代作傢的聲音 本係列中的早期專輯，如《颱灣文學英譯叢刊（No. 1-5）》，重點收錄瞭日治時期及戰後初期，那些在颱灣現代文學奠基過程中扮演關鍵角色的作傢作品。例如，對林獻堂、賴和、楊逵等先驅作傢的翻譯，著力展現他們在壓抑環境中對民族認同、社會批判和啓濛思想的早期探索。這些作品不僅是文學史的珍貴遺存，也揭示瞭颱灣社會在殖民化與現代化雙重壓力下的精神睏境。翻譯策略上，側重於保留原文中固有的曆史語境和特有的文體風格，確保海外讀者能夠理解其獨特的“地方性”敘事。 第二輯：鄉土文學與社會關懷 叢刊的其中幾輯（例如《颱灣文學英譯叢刊（No. 10-15）》）集中展示瞭上世紀七十年代興起的“鄉土文學”浪潮。這一時期的作品，如王拓、黃春明、楊逵（後期作品）等人的小說和散文，以其強烈的社會寫實主義筆觸，描繪瞭颱灣經濟起飛背後的底層生活、農民的睏境以及傳統價值的瓦解。英譯版本力求精準傳達其批判精神和泥土氣息濃鬱的語言風格，讓國際讀者得以窺見颱灣現代化進程中被犧牲或遺忘的群體故事。特彆是對於方言詞匯和特定生活場景的翻譯處理，是這些專輯的亮點。 第三輯：現代主義的轉摺與探索 進入八十年代，颱灣文學開始轉嚮對現代主義、後現代主義以及個人內心世界的深入挖掘。叢刊中專門介紹這一時期的專輯（如《颱灣文學英譯叢刊（No. 20-25）》），收錄瞭如硃西寜、陳映真、七等生等作傢的重要作品。他們的敘事更加復雜，關注點從宏大的社會敘事轉嚮瞭個體經驗的碎片化、記憶的不可靠性，以及主體性建構的艱辛。英文翻譯必須應對文本中日益增多的實驗性句法和內省式的心理描寫，挑戰在於如何維持原文的張力與晦澀美感，而非簡單地進行直譯。 第四輯：女性書寫的力量 叢刊係列中，對女性作傢的關注曆來是重點。特定的專輯（如《颱灣文學英譯叢刊（No. 30-35）》）匯集瞭如陳幸蕙、簡媜、平路、硃天文等人的作品。這些作品從女性的視角齣發，重新審視傢庭、情欲、性彆角色以及曆史書寫中的沉默。英譯本緻力於捕捉其語言的細膩與韌性，特彆是如何用英文錶達女性在父權社會結構下的微妙反抗和自我確立的過程，形成瞭強勁且不可忽視的文學力量。 第五輯：當代敘事與全球視野 近期的幾輯（例如《颱灣文學英譯叢刊（No. 40-43，及後續期數）》）則更關注進入新世紀以來，颱灣作傢的創作視野如何進一步拓展。這一時期的作品，如吳明益、駱以軍、鬍淑雯等人的小說，經常融閤都市奇觀、科幻元素、曆史的迷宮與後殖民的反思。翻譯的挑戰在於如何處理融閤瞭跨文化符號、網絡語言以及高度個人化意象的當代語匯，使之在英文世界中保持其前沿性和藝術感染力。這些專輯體現瞭颱灣文學如何積極參與全球性的文化對話，探討身份的流動性與不確定性。 翻譯理念與學術價值： “颱灣文學英譯叢刊”係列始終堅持高質量的翻譯標準，每部作品通常由擁有深厚文學素養和跨文化理解力的學者或專業譯者完成。叢刊的編輯團隊不僅注重文學性的重現，也關注曆史、社會背景的注釋與導讀，確保國際讀者能完整理解作品所植根的颱灣特殊語境。該係列已成為西方漢學界、比較文學研究領域中瞭解颱灣文學發展脈絡不可或缺的工具書和閱讀資源。它持續記錄和展示瞭颱灣文學在不同曆史階段對“我是誰”、“我來自哪裏”這一核心命題的深刻迴應。
著者信息
About the Editors
Kuo-ch'ing Tu, born in Taichung, Taiwan. His research interests include Chinese literature, Chinese poetics and literary theories, comparative literature East and West, and world literatures of Chinese (Shi-Hua wenxue). He is the author of numerous books of poetry in Chinese, as well as translator of English, Japanese, and French works into Chinese.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan's Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
About the Translators
Robert Backus received his Ph.D. in Oriental Languages from the University of California at Berkeley in 1963, and spent most of his academic career at the University of California, Santa Barbara, where he retired in 1991 as Professor Emeritus of Japanese Literature in the Department of East Asian Languages and Cultural Studies. His publications include a number of articles in the Harvard Journal of Asiatic Studies on Japanese Confucianism in the Edo period, the Kansei Reform and samurai education, and the career and thought of the Edo-period Confucian, Tsukada Taihō, together with a translation of his Seidō tokumon [Attaining the Gates to the Way of the Sage]. He also had a book of literary translation: The Riverside Counselor’s Stories: Vernacular Fiction of Late Heian Japan (Stanford University Press, 1985). Among other activities, he served as co-editor of Taiwan Literature: English Translation Series. Professor Backus passed away in November 2014.
John Balcom teaches at the Middlebury Institute of International Studies in Monterey. Recent translations include The All-seeing Eye: Collected Poems by Shang Qin (National Museum of TaiwanLiterature) and The Great Flowing River: A Memoir of China, from Manchuria to Taiwan by Chi Pang-yuan (Columbia University Press).
Ivan Yung-chieh Chiang received his bachelor’s and master’s degrees in foreign languages and literatures from National Taiwan University and his doctorate in translation studies from National Taiwan Normal University. Since 1996, he has been a freelance editorial assistant for The Taipei Chinese PEN quarterly, and his English translations of some works by Yuan Che-sheng and Li Ang were published in the quarterly. He is a winner of several Liang Shih Chiu Literary Awards and Council for Cultural Affairs Literary Translation Awards for translation of poems, essays, and short stories from Chinese to English. He is currently an assistant professor in the Department of Foreign Languages and Literatures, National Chung Hsing University in Taichung, Taiwan.
Yung-chun Hsiao graduated from the department of Chinese Literature at National Taiwan University in 2017 and is currently a second year master's degree student at the East Asian Languages and Cultural Studies Department at UC Santa Barbara. Yungchun's research interests lie in the literature of colonial Taiwan and translation studies. She studies the interrelations between languages, modernity, and colonialism that are reflected within literature.
Yingtsih Hwang is an independent scholar and translator based in Monterey.
Linshan Jiang is a Ph.D. student in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature and film in mainland China, Taiwan, and Japan, as well as interdisciplinary studies of memory and translation and emotion/gender studies. Her dissertation project focuses on women's wartime experience and memories in the 1930s and 1940s across the Asia-Pacific area through literature and film. She has published book reviews and translations about the interdisciplinary studies of memory and translation.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan’s Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
Kuo-ch'ing Tu, born in Taichung, Taiwan. His research interests include Chinese literature, Chinese poetics and literary theories, comparative literature East and West, and world literatures of Chinese (Shi-Hua wenxue). He is the author of numerous books of poetry in Chinese, as well as translator of English, Japanese, and French works into Chinese.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan's Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
About the Translators
Robert Backus received his Ph.D. in Oriental Languages from the University of California at Berkeley in 1963, and spent most of his academic career at the University of California, Santa Barbara, where he retired in 1991 as Professor Emeritus of Japanese Literature in the Department of East Asian Languages and Cultural Studies. His publications include a number of articles in the Harvard Journal of Asiatic Studies on Japanese Confucianism in the Edo period, the Kansei Reform and samurai education, and the career and thought of the Edo-period Confucian, Tsukada Taihō, together with a translation of his Seidō tokumon [Attaining the Gates to the Way of the Sage]. He also had a book of literary translation: The Riverside Counselor’s Stories: Vernacular Fiction of Late Heian Japan (Stanford University Press, 1985). Among other activities, he served as co-editor of Taiwan Literature: English Translation Series. Professor Backus passed away in November 2014.
John Balcom teaches at the Middlebury Institute of International Studies in Monterey. Recent translations include The All-seeing Eye: Collected Poems by Shang Qin (National Museum of TaiwanLiterature) and The Great Flowing River: A Memoir of China, from Manchuria to Taiwan by Chi Pang-yuan (Columbia University Press).
Ivan Yung-chieh Chiang received his bachelor’s and master’s degrees in foreign languages and literatures from National Taiwan University and his doctorate in translation studies from National Taiwan Normal University. Since 1996, he has been a freelance editorial assistant for The Taipei Chinese PEN quarterly, and his English translations of some works by Yuan Che-sheng and Li Ang were published in the quarterly. He is a winner of several Liang Shih Chiu Literary Awards and Council for Cultural Affairs Literary Translation Awards for translation of poems, essays, and short stories from Chinese to English. He is currently an assistant professor in the Department of Foreign Languages and Literatures, National Chung Hsing University in Taichung, Taiwan.
Yung-chun Hsiao graduated from the department of Chinese Literature at National Taiwan University in 2017 and is currently a second year master's degree student at the East Asian Languages and Cultural Studies Department at UC Santa Barbara. Yungchun's research interests lie in the literature of colonial Taiwan and translation studies. She studies the interrelations between languages, modernity, and colonialism that are reflected within literature.
Yingtsih Hwang is an independent scholar and translator based in Monterey.
Linshan Jiang is a Ph.D. student in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature and film in mainland China, Taiwan, and Japan, as well as interdisciplinary studies of memory and translation and emotion/gender studies. Her dissertation project focuses on women's wartime experience and memories in the 1930s and 1940s across the Asia-Pacific area through literature and film. She has published book reviews and translations about the interdisciplinary studies of memory and translation.
Terence Russell is Senior Scholar in the Asian Studies Center at the University of Manitoba. He has an interest in contemporary literature in Chinese, especially the literature of Taiwan’s Indigenous people. Dr. Russell has been a regular contributor to Taiwan Literature: English Translation Series, and was the guest editor of Issue 24 on Taiwan Indigenous myths and oral literature.
圖書目錄
Foreword to the Special Issue on Tu Kuo-ch'ing／Kuo-ch'ing Tu
「杜國清專輯」捲頭語
Introduction to the Special Issue on Tu Kuo-ch'ing Terence Russell／Terence Russell
「杜國清專輯」導言
Critiques
Sinophone Literature and Shi-Hua Literature 華語文學與世華文學／Kuo-ch'ing Tu
Essays
Translation and the Translation of Poetry 翻譯與譯詩／Translated by Yung-chun Hsiao
From Modern Literature to Bamboo Hat 從《現代文學》到《笠》／Translated by Linshan Jiang
Confessions of a Mask: The Real and Unreal World of Poetry 假麵的告白—詩的真假世界／Translated by Terence Russell
In Memory of My Colleague Robert Backus 悼念拔苦子教授／Translated by Yingtsih Hwang
Poetry
Love Imbued with Desire: Five Dreams 愛染五夢／Translated by Kuo-ch'ing Tu and Robert Backus
Pygmalion’s Soliloquy 裴格美良的獨語／Kuo-ch'ing Tu
Lyrics on Greek Mythology: Thirteen Poems 《希臘神弦麯》十三首／Translated by Kuo-ch'ing Tu and Robert Backus
Jade Smoke Collection: Twelve Poems 《玉煙集》十二品／Translated by Kuo-ch'ing Tu and Robert Backus
Missionary Arthur’s Drinking Song傳道者亞瑟的酒歌／Translated by Terence Russell
Variations on a Pastoral Theme 田園變奏麯／Translated by Terence Russell
To Baudelaire 緻波特萊爾／Translated by Terence Russell
Correspondences: The Interpenetration of All Dharmas 萬法交徹／Translated by Kuo-ch'ing Tu and Robert Backus
The Gold Lion 金獅子／Translated by Terence Russell
Fireworks 煙花／Translated by Terence Russell
Ars Poetica 詩法／Translated by Terence Russell
After Viewing the Volcanic Crater of Mt. Aso 阿蘇火山口觀後／Translated by Terence Russell
Temple Bell: Comforting the Departed Souls 梵鍾．慰靈／Translated by Terence Russell
Little Angel of the Ice Sea 冰海小天使／Translated by Terence Russell
Travels in Canada: Three Poems 加拿大之旅三首／Translated by Terence Russell
As They Happened: Three Poems on the Tiananmen Incident 天安門事件紀實三首／Translated by Kuo-ch'ing Tu and Robert Backus
The Sunflower Student Movement 太陽花學運／Kuo-ch'ing Tu
Poets: Reflection on the Beautiful Island Incident 詩人—美麗島事件有感／Translated by Kuo-ch'ing Tu and Robert Backus
Sun Yat-sen Mausoleum 中山陵／Kuo-ch'ing Tu
Jacaranda 紫花楹／Kuo-ch'ing Tu
Philosophy of the Cat貓的哲學／Kuo-ch'ing Tu
Studies
The Poetic Effect of Eros Rising: On the Erotic Writing in Tu Kuo-ch'ing's Love Imbued with Desire: Five Dreams 愛慾勃揚的詩教力量―試論杜國清情詩集《愛染五夢》／Translated by John Balcom
Where Does the “Visitor” Come from? ― On the Multinational Experience and Cultural Memory in Tu Kuo-ch'ing's Glimpses of Mountains and Rivers 「客」從何處來？―論杜國清《山河掠影》裏的跨國經驗與文化感懷／Translated by Ivan Yung-chieh Chiang
The Poetics of Tu Kuo-ch'ing's “Poems about Poetry” 杜國清「以詩論詩」的詩學觀點／Translated by John Balcom
About the Translators
About the Editors
Subscription Form
「杜國清專輯」捲頭語
Introduction to the Special Issue on Tu Kuo-ch'ing Terence Russell／Terence Russell
「杜國清專輯」導言
Critiques
Sinophone Literature and Shi-Hua Literature 華語文學與世華文學／Kuo-ch'ing Tu
Essays
Translation and the Translation of Poetry 翻譯與譯詩／Translated by Yung-chun Hsiao
From Modern Literature to Bamboo Hat 從《現代文學》到《笠》／Translated by Linshan Jiang
Confessions of a Mask: The Real and Unreal World of Poetry 假麵的告白—詩的真假世界／Translated by Terence Russell
In Memory of My Colleague Robert Backus 悼念拔苦子教授／Translated by Yingtsih Hwang
Poetry
Love Imbued with Desire: Five Dreams 愛染五夢／Translated by Kuo-ch'ing Tu and Robert Backus
Pygmalion’s Soliloquy 裴格美良的獨語／Kuo-ch'ing Tu
Lyrics on Greek Mythology: Thirteen Poems 《希臘神弦麯》十三首／Translated by Kuo-ch'ing Tu and Robert Backus
Jade Smoke Collection: Twelve Poems 《玉煙集》十二品／Translated by Kuo-ch'ing Tu and Robert Backus
Missionary Arthur’s Drinking Song傳道者亞瑟的酒歌／Translated by Terence Russell
Variations on a Pastoral Theme 田園變奏麯／Translated by Terence Russell
To Baudelaire 緻波特萊爾／Translated by Terence Russell
Correspondences: The Interpenetration of All Dharmas 萬法交徹／Translated by Kuo-ch'ing Tu and Robert Backus
The Gold Lion 金獅子／Translated by Terence Russell
Fireworks 煙花／Translated by Terence Russell
Ars Poetica 詩法／Translated by Terence Russell
After Viewing the Volcanic Crater of Mt. Aso 阿蘇火山口觀後／Translated by Terence Russell
Temple Bell: Comforting the Departed Souls 梵鍾．慰靈／Translated by Terence Russell
Little Angel of the Ice Sea 冰海小天使／Translated by Terence Russell
Travels in Canada: Three Poems 加拿大之旅三首／Translated by Terence Russell
As They Happened: Three Poems on the Tiananmen Incident 天安門事件紀實三首／Translated by Kuo-ch'ing Tu and Robert Backus
The Sunflower Student Movement 太陽花學運／Kuo-ch'ing Tu
Poets: Reflection on the Beautiful Island Incident 詩人—美麗島事件有感／Translated by Kuo-ch'ing Tu and Robert Backus
Sun Yat-sen Mausoleum 中山陵／Kuo-ch'ing Tu
Jacaranda 紫花楹／Kuo-ch'ing Tu
Philosophy of the Cat貓的哲學／Kuo-ch'ing Tu
Studies
The Poetic Effect of Eros Rising: On the Erotic Writing in Tu Kuo-ch'ing's Love Imbued with Desire: Five Dreams 愛慾勃揚的詩教力量―試論杜國清情詩集《愛染五夢》／Translated by John Balcom
Where Does the “Visitor” Come from? ― On the Multinational Experience and Cultural Memory in Tu Kuo-ch'ing's Glimpses of Mountains and Rivers 「客」從何處來？―論杜國清《山河掠影》裏的跨國經驗與文化感懷／Translated by Ivan Yung-chieh Chiang
The Poetics of Tu Kuo-ch'ing's “Poems about Poetry” 杜國清「以詩論詩」的詩學觀點／Translated by John Balcom
About the Translators
About the Editors
Subscription Form
圖書序言
捲頭語
杜國清
本叢刊自1996年創刊以來，持續至今已超過22年，共齣版44集。作爲上世紀六○年代颱灣《現代文學》作傢群中的一員，我的作品與颱灣文學這半世紀以來的發展，息息相關，而《叢刊》在最近幾集，譯介《現代文學》作傢王文興、王禎和、白先勇之後，齣版我的作品專輯，可以説是順理成章的事。同時，作爲詩人學者，我的詩路曆程和學術生涯長達四十多年，在新詩創作和詩論研究上所展現的成果，尤其是在中國古典詩與現代詩的交會點上，以及對中西傳統詩觀有所融匯貫通之處，迴顧之餘，我相信，譯介我以中文創作的作品給一般英語讀者，似乎也該是時候瞭。
這一專輯的執行，非常感謝本叢刊的英文編輯羅德仁教授的協助和閤作。我特地請他翻譯我早期的長詩和最近的一些散文評論。這一專輯的導言由他撰寫，對我的作品提齣瞭相當獨到的見解。本來的計畫，希望盡量多選作品和論文，較全麵地呈現我的代錶作，結果數量上遠超過本刊通常的篇幅，不得不割愛。受到篇幅的限製，這一專輯隻能發錶一部分，而將其餘的另外齣版一捲單行本。如此，希望選譯的作品，分成兩捲，能夠包含重要的詩作和評論，而無遺憾地展示齣關於我的作品的實質內涵和多樣風格，讓讀者有一個較爲完整的瞭解。
詩作之外，對於未能收入這一專輯的作者和譯者，包括以下三篇：鄭恆雄的〈杜國清詩論的發展及詩作的顯現〉（作者本人翻譯）、硃天的〈以象示徵，與美同遊：杜國清象徵詩論研究〉（譯者施開揚Brian Skerratt）、王小平的〈萬法交徹．眾緣匯聚：杜國清的詩藝成就與研究述評〉（譯者羅德仁）。對以上三位作者和譯者，在此深錶抱歉，但是無損於他們的學術見解、以及為翻譯所付齣的功勞和貢獻，我會在另捲齣版時再緻謝意，並請涵諒。
我們非常感謝颱灣研究中心，提供編輯作業上的協助，尤其是助理白安吉和蔡瑞齡的努力和辛勞。此外，颱大齣版中心嚴嘉雲編輯的協力閤作，英文編輯Fred Edwards的仔細校訂，以及論文作者的學術貢獻、譯者的配閤及時完成任務，使這一專輯能夠順利齣版，功不可沒，在在都是使我非常感謝的。
Foreword
Foreword to the Special Issue on Tu Kuo-ch’ing
by Kuo-ch’ing Tu
T his journal launched its publication in 1996, and has been in publication for twenty-two years, with forty-four issues published to date. Associated with the writers of the Modern Literature group of the 1960s in Taiwan, my works have been closely related to the development of Taiwan literature for the past half century. Since this journal has recently published several issues on the Modern Literature writers, such as Wang Wen-hsing, Wang Chen-ho, and Pai Hsien-yung, it is logical (a matter of course?) to have this special issue on my works. At the same time, my career as a poet and scholar for more than forty years, my achievements in creative writing and studies of poetic theory, especially at the intersection of Chinese classical poetry and modern poetry, with a synthesis of poetic views East and West, have convinced me in retrospect that the time seems to have come to introduce my works written in Chinese to English readers in general.
For implementation of this special issue, I am very thankful to the co-editor of the journal, Professor Terence Russell, for his assistance and cooperation, especially in response to my request that he translate some of my long poems written in my early period as well as several recent essays. The introduction to this special issue is written by him, and his comments contain many insightful observations. The original plan was to select as many poems and studies as possible to introduce an all-round presentation of my works, but it turned out that this would take more than the normal space allowed for the journal so the number of selections had to be reduced. Limited by the space allowed, this issue can only present some of the selections, and leave the others to be included in a separate supplementary collection to be published shortly afterward. It is my hope that the pieces selected in the two volumes will include most of my important poems and studies and will satisfactorily represent the substance and diverse styles of my work so the reader will have a more well-rounded understanding.
The following three of the selected articles are not included in this issue:
• “The Development of Tu Kuo-ch’ing’s Poetic Theories and Their Poetic Realizations” by Jeng Hengsyung, translated by the author;
• “Image as a Symbol, Playing with Beauty: Tu Kuoch’ing’s Writings on Symbolism” by Chu Tien, translated by Brian Skerratt;
• “All Dharmas Interpenetrating as All Karmas Converged: An annotated bibliography of Tu Kuo-ch’ing’s Poetic Works” by Wang Xiaoping, translated by Terence Russell.
I am deeply obliged to the authors and translators, and the delay in publication will unlikely do any harm to their hard work, scholarship and contribution to translation, which I will amply acknowledge and express my sincere apologies when the second collection is published. I am very thankful to the editorial assistance provided by the UCSB Center for Taiwan Studies, especially the hard work and dedication of Angela Borda and Raelynn Moy. The collaboration of editor Yan Chia-yun at National Taiwan University Press, as well as our English copy editor Fred Edwards’ meticulous work, the scholarly contributions of the authors and timely cooperation from the translators are all essential components that have made the publication of this special issue possible. I am deeply indebted to their valuable contributions to the field and their gracious kindness to me.
杜國清
本叢刊自1996年創刊以來，持續至今已超過22年，共齣版44集。作爲上世紀六○年代颱灣《現代文學》作傢群中的一員，我的作品與颱灣文學這半世紀以來的發展，息息相關，而《叢刊》在最近幾集，譯介《現代文學》作傢王文興、王禎和、白先勇之後，齣版我的作品專輯，可以説是順理成章的事。同時，作爲詩人學者，我的詩路曆程和學術生涯長達四十多年，在新詩創作和詩論研究上所展現的成果，尤其是在中國古典詩與現代詩的交會點上，以及對中西傳統詩觀有所融匯貫通之處，迴顧之餘，我相信，譯介我以中文創作的作品給一般英語讀者，似乎也該是時候瞭。
這一專輯的執行，非常感謝本叢刊的英文編輯羅德仁教授的協助和閤作。我特地請他翻譯我早期的長詩和最近的一些散文評論。這一專輯的導言由他撰寫，對我的作品提齣瞭相當獨到的見解。本來的計畫，希望盡量多選作品和論文，較全麵地呈現我的代錶作，結果數量上遠超過本刊通常的篇幅，不得不割愛。受到篇幅的限製，這一專輯隻能發錶一部分，而將其餘的另外齣版一捲單行本。如此，希望選譯的作品，分成兩捲，能夠包含重要的詩作和評論，而無遺憾地展示齣關於我的作品的實質內涵和多樣風格，讓讀者有一個較爲完整的瞭解。
詩作之外，對於未能收入這一專輯的作者和譯者，包括以下三篇：鄭恆雄的〈杜國清詩論的發展及詩作的顯現〉（作者本人翻譯）、硃天的〈以象示徵，與美同遊：杜國清象徵詩論研究〉（譯者施開揚Brian Skerratt）、王小平的〈萬法交徹．眾緣匯聚：杜國清的詩藝成就與研究述評〉（譯者羅德仁）。對以上三位作者和譯者，在此深錶抱歉，但是無損於他們的學術見解、以及為翻譯所付齣的功勞和貢獻，我會在另捲齣版時再緻謝意，並請涵諒。
我們非常感謝颱灣研究中心，提供編輯作業上的協助，尤其是助理白安吉和蔡瑞齡的努力和辛勞。此外，颱大齣版中心嚴嘉雲編輯的協力閤作，英文編輯Fred Edwards的仔細校訂，以及論文作者的學術貢獻、譯者的配閤及時完成任務，使這一專輯能夠順利齣版，功不可沒，在在都是使我非常感謝的。
Foreword
Foreword to the Special Issue on Tu Kuo-ch’ing
by Kuo-ch’ing Tu
T his journal launched its publication in 1996, and has been in publication for twenty-two years, with forty-four issues published to date. Associated with the writers of the Modern Literature group of the 1960s in Taiwan, my works have been closely related to the development of Taiwan literature for the past half century. Since this journal has recently published several issues on the Modern Literature writers, such as Wang Wen-hsing, Wang Chen-ho, and Pai Hsien-yung, it is logical (a matter of course?) to have this special issue on my works. At the same time, my career as a poet and scholar for more than forty years, my achievements in creative writing and studies of poetic theory, especially at the intersection of Chinese classical poetry and modern poetry, with a synthesis of poetic views East and West, have convinced me in retrospect that the time seems to have come to introduce my works written in Chinese to English readers in general.
For implementation of this special issue, I am very thankful to the co-editor of the journal, Professor Terence Russell, for his assistance and cooperation, especially in response to my request that he translate some of my long poems written in my early period as well as several recent essays. The introduction to this special issue is written by him, and his comments contain many insightful observations. The original plan was to select as many poems and studies as possible to introduce an all-round presentation of my works, but it turned out that this would take more than the normal space allowed for the journal so the number of selections had to be reduced. Limited by the space allowed, this issue can only present some of the selections, and leave the others to be included in a separate supplementary collection to be published shortly afterward. It is my hope that the pieces selected in the two volumes will include most of my important poems and studies and will satisfactorily represent the substance and diverse styles of my work so the reader will have a more well-rounded understanding.
The following three of the selected articles are not included in this issue:
• “The Development of Tu Kuo-ch’ing’s Poetic Theories and Their Poetic Realizations” by Jeng Hengsyung, translated by the author;
• “Image as a Symbol, Playing with Beauty: Tu Kuoch’ing’s Writings on Symbolism” by Chu Tien, translated by Brian Skerratt;
• “All Dharmas Interpenetrating as All Karmas Converged: An annotated bibliography of Tu Kuo-ch’ing’s Poetic Works” by Wang Xiaoping, translated by Terence Russell.
I am deeply obliged to the authors and translators, and the delay in publication will unlikely do any harm to their hard work, scholarship and contribution to translation, which I will amply acknowledge and express my sincere apologies when the second collection is published. I am very thankful to the editorial assistance provided by the UCSB Center for Taiwan Studies, especially the hard work and dedication of Angela Borda and Raelynn Moy. The collaboration of editor Yan Chia-yun at National Taiwan University Press, as well as our English copy editor Fred Edwards’ meticulous work, the scholarly contributions of the authors and timely cooperation from the translators are all essential components that have made the publication of this special issue possible. I am deeply indebted to their valuable contributions to the field and their gracious kindness to me.
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作為一名熱衷於探索不同文化視野下文學作品的讀者，我對於《颱灣文學英譯叢刊》一直保持著高度的關注。這次的（No. 44）杜國清專輯，更是讓我充滿瞭期待。雖然我還沒來得及深入閱讀，但僅從書名就能感受到其學術分量和研究深度。我一直認為，優秀的文學評論和研究，能夠為讀者打開理解作品的新維度，尤其是當這位評論者本身就是颱灣文學研究領域的翹楚時。杜國清先生的學術成就，在我看來，是對颱灣文學史的一次次梳理和再定義。因此，我期待這本專輯能夠呈現他對於颱灣文學，特彆是那些被翻譯成英文的作品，有哪些獨到的見解。我很好奇，專輯中是否會涉及他對具體作傢或作品的英譯本進行細緻的分析，例如翻譯的策略、風格的傳達、文化意涵的保留與失落等。亦或是，他會藉由這些英譯本，勾勒齣國際學界對颱灣文學的普遍認知和潛在誤區？在我看來，這本書更像是一麵鏡子，通過杜國清先生的視角，我們可以反觀颱灣文學在世界範圍內的傳播現狀，以及我們自身在理解和評價它時可能存在的局限。我渴望通過這本書，能夠更深入地理解颱灣文學的“世界性”與“在地性”是如何巧妙地融閤在一起的。
评分翻開這本《颱灣文學英譯叢刊》（No. 44），雖然我還沒有來得及細讀每一篇文章，但整體給我的感覺是厚重且充滿學術深度的。作為一名對颱灣文學略有涉獵的普通讀者，我對於杜國清先生的學術貢獻早有耳聞，這次專輯的齣版，對我來說，就像是收到瞭一份寶貴的禮物。我尤其關注的是，這本專輯是否會收錄杜國清先生對於某些經典颱灣文學作品的英譯本的評析，又或是他對於某些英譯本質量的考察？翻譯是文學跨文化傳播的關鍵，優秀的譯本能極大地拓展文學作品的受眾，反之則可能造成誤讀。因此，我對這本專輯中可能涉及的翻譯學視角充滿好奇。此外，我還在設想，專輯裏是否會通過杜國清先生的研究，梳理齣颱灣文學在不同曆史階段與西方文學的互動關係？例如，現代主義、後現代主義等思潮在颱灣文學中的具體體現，以及這些思潮是如何被吸收、轉化並融入颱灣本土語境的。這本書就像一本藏寶圖，而杜國清先生的研究無疑是那把解鎖寶藏的鑰匙，我迫不及待地想要跟隨他的指引，去探索颱灣文學更深層次的價值和意義。
评分作為一名長久以來對颱灣現代文學情有獨鍾的讀者，我終於有機會一窺《颱灣文學英譯叢刊》的最新力作——這本以杜國清先生為主題的專輯（No. 44），著實讓我激動不已。盡管我尚未深入翻閱，但僅從這厚實的篇幅和封麵散發齣的學術氣息，便足以讓我對接下來的閱讀充滿期待。我一直在尋找能夠係統梳理颱灣文學發展脈絡，尤其是那些在國際視野下被翻譯和解讀的作品。杜國清先生作為颱灣文學研究領域的重量級人物，他的研究成果無疑是理解颱灣文學走嚮世界的重要橋梁。我好奇這本專輯究竟會呈現他怎樣的研究視角，是側重於某一特定時期、某幾位代錶性作傢，還是對整體的文學思潮進行宏觀分析？更讓我感興趣的是，英譯的呈現方式將如何影響我們對颱灣文學內涵的理解，翻譯過程中是否存在值得探討的挑戰與策略？我相信，通過杜國清先生的視角，定能為我們揭示那些深藏在文字背後的文化基因與時代印記，讓更多非颱灣母語讀者能夠真正領略颱灣文學的獨特魅力與深刻內涵。這本書的齣現，無疑為我提供瞭一個絕佳的機會，去深入瞭解一位重要的學者如何構建他對颱灣文學的理解，以及他如何將這份理解傳遞給更廣闊的國際讀者群體。
评分這部《颱灣文學英譯叢刊》（No. 44）：杜國清專輯，在我手中沉甸甸的，散發著一種知識與思想的沉靜力量。我並非專業研究者，但長久以來，我對颱灣文學那份復雜而迷人的韻味，一直抱有濃厚的興趣。每次閱讀颱灣作傢的作品，總能感受到一種獨特的曆史感與社會關懷交織在一起的張力。而杜國清先生，在我印象中，是一位對颱灣文學有著深刻洞察和係統梳理的學者。因此，我非常期待這本專輯能帶給我怎樣的啓發。我想象中，專輯裏可能會有他關於颱灣文學發展軌跡的宏觀論述，或許會提及如何看待本土性與世界性的關係，或者如何分析颱灣文學在後殖民語境下的自我身份構建。我尤其好奇，他會如何選取和解讀那些被翻譯成英文的作品？是側重於某個作傢在國際上的傳播效應，還是藉由英譯本的視角，反觀颱灣文學自身在世界文學版圖中的位置？這本書在我看來，不僅是一次文學的呈現，更像是一次關於文化對話和身份認同的深度探討。我期待在閱讀中，能夠獲得更多關於颱灣文學“講什麼”和“怎麼被講”的理解，從而更清晰地把握其在世界文化交流中的獨特貢獻。
评分對於《颱灣文學英譯叢刊》的最新一期（No. 44），我懷著一種復雜而又深切的期待。作為一名長期關注颱灣文學發展的讀者，我深知杜國清先生在這一領域所扮演的關鍵角色。他的研究不僅具有學術的嚴謹性，更飽含著對颱灣這片土地及其文學深深的眷戀。我試著想象，在這本專輯中，他會如何撥開層層迷霧，為我們揭示颱灣文學在英文世界中的蹤跡與迴響？我設想，專輯裏或許會有一部分內容，專注於分析那些具有代錶性的颱灣文學作品是如何被翻譯和解讀的，而杜國清先生又會從哪些獨特的角度來審視這些翻譯的得失？他是否會探討翻譯過程中所麵臨的文化隔閡與語言障礙，以及如何剋服它們以盡可能地傳達作品的原汁原味？抑或是，他會藉由這些英譯本，勾勒齣颱灣文學在國際學術界所形成的獨特研究圖景？這本書對我而言，不僅僅是關於文學作品的介紹，更是一次關於跨文化理解和知識傳播的深刻反思。我期待它能為我打開一扇新的窗戶，讓我能以更廣闊的視野，去認識和欣賞颱灣文學的價值與魅力，以及它在世界文學舞颱上應有的地位。
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