圖書描述
This book is for readers who are interested in literature, visual arts and writings about life. Most of the time, life itself, including personal ones and collective ones (such as nation, natural environment and so forth), gives incredible inspirations to the one who is writing. And yet, through more reading and more thinking, the writing self can imagine someone else’s way of living, as if he or she is living through it. This collection of essays brings literature and visual arts together, as their aesthetics come to complete each other.
本書特色
A collection of essays that explores the intricate relationships between literature and art, bringing new insights into famous writers such as Henry James and Virginia Woolfe.
本書特色
A collection of essays that explores the intricate relationships between literature and art, bringing new insights into famous writers such as Henry James and Virginia Woolfe.
著者信息
作者簡介
Allison Tzu Yu Lin
Dr Tzu Yu Allison Lin received her PhD in English and Comparative Literature from Goldsmiths, University of London. Her research interests include visual and verbal representations, literary theory and criticism, writers and cities. Dr Lin has publications such as articles and books in English and in Chinese, including Virginia Woolf and the European Avant-Garde (2009) and Mystic Virginia Woolf (2012). She is an assistant professor in Faculty of Education, Gaziantep University, Turkey.
Allison Tzu Yu Lin
Dr Tzu Yu Allison Lin received her PhD in English and Comparative Literature from Goldsmiths, University of London. Her research interests include visual and verbal representations, literary theory and criticism, writers and cities. Dr Lin has publications such as articles and books in English and in Chinese, including Virginia Woolf and the European Avant-Garde (2009) and Mystic Virginia Woolf (2012). She is an assistant professor in Faculty of Education, Gaziantep University, Turkey.
圖書目錄
Acknowledgements
Preface
Chapter 1 Through the Gaze: History, Literature and Arts
Chapter 2 Jane Eyre: Arts in the Novel of Charlotte Brontë
Chapter 3 Teaching English and Cultural Exchange in Gaziantep
Chapter 4 Roger Fry, Istanbul, and the Art of Seeing
Chapter 5 The Dialectical Relation: Landscape and History in The Last of the Mohicans and The Course of Empire
Chapter 6 Self, Art, Fiction: The Portrait of a Lady
Chapter 7 London and Crisis in Henry James’s The Awkward Age
Chapter 8 The Flâneur’s Gaze and the Dialectical Representation of London: Using Woolf’s “Street Haunting” as an Example
Preface
Chapter 1 Through the Gaze: History, Literature and Arts
Chapter 2 Jane Eyre: Arts in the Novel of Charlotte Brontë
Chapter 3 Teaching English and Cultural Exchange in Gaziantep
Chapter 4 Roger Fry, Istanbul, and the Art of Seeing
Chapter 5 The Dialectical Relation: Landscape and History in The Last of the Mohicans and The Course of Empire
Chapter 6 Self, Art, Fiction: The Portrait of a Lady
Chapter 7 London and Crisis in Henry James’s The Awkward Age
Chapter 8 The Flâneur’s Gaze and the Dialectical Representation of London: Using Woolf’s “Street Haunting” as an Example
圖書序言
Jane Eyre: Arts in the Novel of Charlotte Brontë
I want to demonstrate the way in which ‘art’ is seen as an expression of the inner self. The main character Jane Eyre’s psychology, through Charlotte Brontë’s verbal art and the narrator ‘I’, comes to show the complicated art of Brontë’s novel. I focus on the relation between the external and the internal worlds. Through arts, the reader can see that there are at least two kinds of paintings and portraits: one aims to represent what the external world looks like, while the other serves to depict one’s own thoughts and imaginations.
I want to demonstrate the way in which ‘art’ is seen as an expression of the inner self. The main character Jane Eyre’s psychology, through Charlotte Brontë’s verbal art and the narrator ‘I’, comes to show the complicated art of Brontë’s novel. I focus on the relation between the external and the internal worlds. Through arts, the reader can see that there are at least two kinds of paintings and portraits: one aims to represent what the external world looks like, while the other serves to depict one’s own thoughts and imaginations.
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